Open book showing two pages with dialogue in green and brown text inside shaped speech bubbles, discussing a character named Pina and dance moves.
A close-up of a textured U.S. quarter with a skull and crossbones design and digital distortions.
A yellow face-in-a-hole board sculpture, standing on a grassy field with a clear blue sky overhead.
Gilda Jones and Sam Blomley's mirror polished cast aluminium Stumpy Stool for The Melbourne Art Fair.
Gilda Jones, Confetti, satin-finish photographic paper, 23-carat gold leaf paper ring. Photo: Ross Coulter
Still of Anika de Ruyter from Pretending Make Believe / If You Look Close Enough You Can See My Thoughts dance film, Photo: Tom Fisher.
A collection of variously coloured and styled paper cards fanned out, held together with a yellow bind clip. Each card has a poem on it.
Colorful stack of books with a white book on top titled "In the Beginning" with a white decorative net on top and text "I AM NOT YOUR COCONUT" by Danet Kamali, set against a black background.
Gilda Jones, Token Ephemera, sterling silver 925 ring, 2026. Photo: Ross Coulter
Close up of vinyl mat printed with Beauchamp-Feuillet Notation (1701) for Pretending Make Believe / If You Look Close Enough You Can See My Thoughts dance film, exhibition at Kings ARI. Photo: Sebastian Kainey.
Gilda Jones, Confetti, satin-finish photographic paper, 23-carat gold leaf paper. Photo: Ross Coulter
Stage set with a bed made of wooden pallets, a woman standing to the left, a pile of books beside the bed, and walls covered in colorful clothing and fabric pieces. A white draped fabric hangs from the ceiling.